Seeking the Origin

Seeking the Origin

Aimena Úai

Artist’s country of origen: Colombia
Materials: Mambe, wito, and oil on canvas

Size: 90 x 150 cm
Year: 2024

Line of Inquiry:

Coca-Politics Coca-Worlds

In Seeking the Origin, Aimema Úai evokes the memory of his grandparents and the path that connects his territory to ancestral knowledge. The work is part of the Caminos (íio) series, in which painting becomes a gesture of spiritual search and return to his Murui-Muina roots. From his place of origin —La Chorrera, between the Putumayo and Caquetá rivers— the Murui-Muina and other Amazonian peoples have resisted in order to preserve the jíbina or koka, the sacred plant that helps care for the world and maintain its natural balance. However, with the arrival of Catholic evangelizers after the rubber genocide, the demonization of the plant began. Decades later, during the cocaine boom, its spiritual meaning was again distorted. Despite these ruptures, within the mambeadero —a space for word, listening, and teaching— ancestral knowledge about the proper use of the plant has been preserved. Today, mambe, the fine powder resulting from mixing toasted and ground coca leaves with the ashes of yarumo —a plant and tree considered sacred by Amazonian peoples—, reaffirms itself as a symbol of strength and cultural continuity: word of life. Mambe sustains spiritual communication, collective thought, and the daily practice of the principles that guide life.

The Artist

Aimena Úai

Aimema Úai —The Voice of the Crane— is a contemporary artist, mambeólogo (coca practitioner), and researcher from the Murui-Muina people of the Colombian Amazon. Born in La Chorrera in 1996, his artistic formation is deeply rooted in the ancestral knowledge of his family.

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Indigenous Names of the Coca Plant

Indigenous Names of the Coca Plant

Wilson Díaz Polanco

Artist’s country of origen: Colombia
Materials: Crushed coca plant seed on paper
Medium: Installation, Print / Graphic Work
Size: 113 x 400 cm
Year: 2021

Line of Inquiry:

Coca-Politics

Díaz uses pigment made from crushed coca-seeds to inscribe, on paper the myriad of indigenous names for coca. The work juxtaposes the botanical taxonomy developed under colonial modernity with the vernacular vocabularies of Andean and Amazonian communities, making visible how language and power have long mediated the fate of a single plant. 

Through its material and symbolic form the piece asks us to reconsider how the coca plant has been framed: first within scientific classification and then as an illicit commodity. By reclaiming the plant’s own seeds as pigment, Díaz re-centers indigenous epistemologies, restoring the leaf’s rootedness in cultural knowledge rather than only its exploitation in the war on drugs.

The Artist

Wilson Díaz Polanco

Wilson Díaz Polanco is a Colombian visual artist exploring the sociopolitical landscape of Colombia through popular culture, armed conflict, and media representation.

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