El Laberinto

El Laberinto

Laura Huertás Millán

Artist’s country of origen: Colombia – Francia
Materials: 16 mm, found footage, HD

Medium: video
Size: 21 min
Year: 2018

Line of Inquiry:

Coca-Politics Coca-Worlds

A voyage into the labyrinthine memories of Cristobal Gomez Abel, who worked for the drug lords in the Colombian Amazon during the 1980s. The film follows his journey through the forest and the ruins of a narco’s mansion, inspired by the Carrington mansion in the soap opera Dynasty, as it unravels the hallucinatory narrative of a near-death experience.

“The Labyrinth speaks to the syncretism of contemporary Colombia, where the disaster of narcocapitalism coexists with enduring precolonial relations to the world, creating an accord between the violence of the drug wars, the violence of European conquest, and possibilities of survival and resistance against both”
Erika Balsom

Awarded the Pardo di Domani Best Direction Prize, 2018
Locarno Film Festival

The Artist

Laura Huertas Millán

Laura Huertas Millán (b. 1983, Colombia) is an artist and filmmaker. She holds a PhD from Université PSL (SACRe-Programm) in Paris and conducted research at Harvard’s Sensory Ethnography Lab as part of her studies.

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Para la Coca

Para la coca

Based on Jibina Marena Uay – Coca de la Buena Palabra, an ongoing script written by Cristobal Gomez Abel (Murui/Bora) and Laura Huertas Millan.

Artist’s country of origen: Colombia – Francia
Materials:
2-channel installation
Medium: video, installation
Size: 14 min
Year: 2024

Line of Inquiry:

Coca-Plant Coca-Worlds

Para la Coca is a film and audiovisual installation centered on the coca plant (Erythroxylum coca), co-authored with Cristóbal Gómez Abel, a member of the Bora and Murui Colombian First Nations, the work emerges from a dialogue sustained over more than ten years. Initiated by Gómez Abel, Para la Coca revisits a Murui myth of origin that functions as an ancestral law, offering ethical guidance on the proper use of the coca plant.

In this myth, coca is not an object or a resource, but a person and a deity, embodied in the figure of a young girl who teaches her father and community how to relate to the plant with responsibility, care, and reciprocity. The work challenges dominant colonial and Western frameworks that reduce coca to its extraction into cocaine, and instead affirms its cultural, spiritual, and medicinal significance within Indigenous worlds. Para la Coca advocates for the decriminalization of the plant by restoring its place within living systems of knowledge and practice.

The project was developed with the guidance of Nelly Kuiru, founder and director of the Escuela de Comunicación Indígena Amazonía Ka+ Jana Uai (La voz de nuestra imagen). Her role was central to the production and writing of the film. The work is shared with the permission of Gómez Abel and his community, acknowledging the responsibility involved in circulating the teachings of coca through the form of myth.

Creditos: Based on Jibina Marena Uay – Coca de la Buena Palabra, an ongoing script written by Cristobal Gomez Abel (Murui/Bora) and Laura Huertas Millan.

We acknowledge that the ancestral myth of origin of the coca plant belongs to the Murui nation. We thank them for allowing our interpretation with the purpose of de-stigmatizing the coca plant and psychotropics, as well as honoring and amplifying ancestral indigenous political, cultural and spiritual resistance in Colombia.

With
Cristobal Gomez Abel, Pedro Armando Sopin Morales, Harold Jeferson Gomez Florez, Gilber Olmedo Morales, Dewins Nicolas Gomez Florez, Didier Libardo Santana Gaspar, Carmen Sofia Gaspar Florez, Libardo Santana Florez, Diana Valentina Cuellar Gomez, Cristian Gomez Florez, Alina Santana Gaspar.

Recorded in
the Muiri Muina community,
Nimaira Náimeke ibike, Patio de Ciencia Dulce

Directed and produced by
Laura Huertas Millán

Creative and production consultant
Nelly Kuiru

DoP
Mauricio Reyes, Laura Huertas Millan

Sound recording
Laura Huertas Millan, Grégory Castéra, Angel Maria Fajardo

With the support of
PinchukArtCenter, Liverpool Biennial, CNAP (Centre National des arts plastiques), Institut Français (Résidence+), Mondes Nouveaux (Ministère de la culture).

More info visit: https://www.laurahuertasmillan.com/shows

The Artist

Laura Huertas Millán

Laura Huertas Millán (b. 1983, Colombia) is an artist and filmmaker. She holds a PhD from Université PSL (SACRe-Programm) in Paris and conducted research at Harvard’s Sensory Ethnography Lab as part of her studies.

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Pajarita

Pajarita. Cuaderno para colorear

Pajarita

Esteban Borrero (Illustrator), Felipe Herreño at Taller El Primitivo (Printing), and Ginger Blonde

Artist’s country of origen: Colombia
Materials:
printed in screen-printing technique with coca leaf–based ink
Medium: Print / Graphic Work
Size: 21.5 cm x 27.9 cm
Year: 2024

Line of Inquiry:

Coca-Plant

Pajarita is a coloring book published by the Ginger Blonde collective, printed using ink made from coca leaves. The publication proposes a playful and educational way of engaging with this ancestral plant beyond the stigmas that surround it, especially reaching younger audiences through art and play.

The illustrations were designed by artist Esteban Borrero, who explores his imaginative interpretations of Colombian birds as a way to connect the project with children and other young audiences, incorporating elements of the plant’s anatomy and subtle references to its close relationship with Andean farming communities. The publication was printed at Taller El Primitivo using ink prepared by mixing coca leaf flour with screen-printing ink on paper, reinforcing the book’s sensory and material experience.

The Artist

Ginger Blonde

Ginger Blonde is a design and visual communication studio founded in 2021 by Mónica Suárez and Daniela Rubio. Based between Bogotá and Panama City, the studio works from a cooperative, interdisciplinary, and predominantly female approach, focused on social innovation, responsible design, and territorial transformation.

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Tinta Dulce (Sweet Ink)

Tinta Dulce (Sweet Ink)

Asociación de artesanos de Guacamayas, Asociación de los Oficios Tradicionales Tejilarte, Cooperativa de fibras naturales de Santander (ECOFIBRAS) and Ginger Blonde.

Artist’s country of origen: Colombia
Materials:
Fique fibers, wool, dyes made from coca leaves
Medium: Textile / Object
Size: N/A
Year: 2024

Line of Inquiry:

Coca-Plant

Tinta Dulce is a project of experimentation and collective creation that investigates the use of coca leaf flour as a natural source of color. Through artisanal dyeing processes, the project develops pigments applied to fibers such as silk, cotton, fique, and wool, resulting in a chromatic palette that ranges from yellows to greens.

The initiative has been developed in collaboration with women’s artisan associations and natural fiber cooperatives in different regions of Colombia, including Boyacá, Santander, Cauca, and Cundinamarca. Through workshops and knowledge-transfer processes, Tinta Dulce has supported the integration of coca dyes into artisanal product portfolios, strengthening local capacities, diversifying incomes, and promoting alternative productive value chains.

Beyond its artistic dimension, Tinta Dulce seeks to transform perceptions of the coca leaf and the communities that cultivate it, reclaiming its cultural value and its potential as a creative resource. This purpose is reflected in a short documentary that brings together the voices of artisans from Guacamayas, Sutatausa, and Curití, who share their experiences using coca leaves as a textile dye and opening new horizons grounded in local knowledge.

Additionally, Tinta Dulce makes available a free, downloadable dyeing logbook focused on coca leaf inks and dyes, which documents the processes and aims to expand the project’s reach to those interested in incorporating coca as a natural source of color in their own creative projects.
Download the Booklet (PDF)

The Artist

Ginger Blonde

Ginger Blonde is a design and visual communication studio founded in 2021 by Mónica Suárez and Daniela Rubio. Based between Bogotá and Panama City, the studio works from a cooperative, interdisciplinary, and predominantly female approach, focused on social innovation, responsible design, and territorial transformation.

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Essence, Memory, and Transformation

Essence, Memory and Transformation

Anyi Ballesteros with Pajarita Caucana, in collaboration with Daniela Rubio, María Alejandra Torres, and Mónica Suárez.

Artist’s country of origen: Colombia
Materials: Organic silk, coca leaves, natural dyes.
Size: Variable
Year: 2021

Line of Inquiry:

Coca-Plant

Since 2021, Anyi Ballesteros has been researching dyeing techniques using coca leaves through her project Pajarita Caucana, developed in collaboration with designers Daniela Rubio, María Alejandra Torres, and Mónica Suárez. This process led them to discover 96 natural hues derived from the plant, ranging from yellows and greens to browns and beiges.Her collection “Essence, Memory, and Transformation” consists of three shawls designed and woven by Agroarte artisans using organic silk thread dyed with coca leaves. Created collectively, these pieces evoke the history and resilience of their communities. The shawl “Renacer” (Rebirth) alludes to new narratives of the coca plant and its potential for a sustainable future; “El Alba” (Dawn) embodies the serene dawns of Cauca; and “Semilla” (Seed) represents birth, with coca sprouts emerging in soft yellow tones—the result of dyeing experiments with coca leaf and flour.

The Artist

Anyi Ballesteros

Anyi Ballesteros is a textile artisan working at the intersection of ecology, community, and ancestral craft traditions.

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