Movement for the Liberation of the Coca Plant

Movement for the Liberation of the Coca Plant

Wilson Díaz Polanco

Artist’s country of origen: Colombia
Materials:
Neón
Medium: Sculpture, Installation, Digital Art / New Media
Size: 140 × 114 × 5.5 cm
Year: 2012 – 2014

Line of Inquiry:

Coca-Politics

In this neon installation, Wilson Díaz transforms a simple phrase, “Movimiento de liberación de la planta de coca”, into a luminous declaration. The work reclaims the coca plant from decades of stigma tied to drug policy and the armed conflict in Colombia. By inscribing this call to liberation in glowing light, Díaz invites viewers to reflect on how language, power, and perception shape the fate of both plants and people.

The piece challenges official narratives of eradication and control, proposing instead a symbolic and literal “liberation” of the coca leaf. Díaz advocates for recognizing the plant’s ancestral, medicinal, and cultural dimensions, which have been overshadowed by its association with narcotrafficking. Through its simplicity and clarity, the neon text becomes both artwork and manifesto, a call to restore the coca plant’s dignity and to envision new, decolonial relationships between nature, politics, and society.

The Artist

Wilson Díaz Polanco

Wilson Díaz Polanco is a Colombian visual artist exploring the sociopolitical landscape of Colombia through popular culture, armed conflict, and media representation.

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Indigenous Names of the Coca Plant

Indigenous Names of the Coca Plant

Wilson Díaz Polanco

Artist’s country of origen: Colombia
Materials: Crushed coca plant seed on paper
Medium: Installation, Print / Graphic Work
Size: 113 x 400 cm
Year: 2021

Line of Inquiry:

Coca-Politics

Díaz uses pigment made from crushed coca-seeds to inscribe, on paper the myriad of indigenous names for coca. The work juxtaposes the botanical taxonomy developed under colonial modernity with the vernacular vocabularies of Andean and Amazonian communities, making visible how language and power have long mediated the fate of a single plant. 

Through its material and symbolic form the piece asks us to reconsider how the coca plant has been framed: first within scientific classification and then as an illicit commodity. By reclaiming the plant’s own seeds as pigment, Díaz re-centers indigenous epistemologies, restoring the leaf’s rootedness in cultural knowledge rather than only its exploitation in the war on drugs.

The Artist

Wilson Díaz Polanco

Wilson Díaz Polanco is a Colombian visual artist exploring the sociopolitical landscape of Colombia through popular culture, armed conflict, and media representation.

Read more

More From This Artist